welcome back to another very exciting tutorialhere at the photoshoptrainingchannel.com. my name is jesus ramirez and you can findme on instagram @jrfromptc. in this video, we're going to take a look at some of thetop new features in adobe photoshop cc 2015.5 after you watch this tutorial, don't forgetto head over to my website photoshoptrainingchannel.com or you can use the short url ptcvids.com andread all about the smaller changes not covered in this video. okay, let's check out someof the new features in photoshop cc 2015.5. face aware liquify the face aware liquify. let me show you howthat works. i'm going to go into the filter menu and i'm going to click on liquify, andyou already maybe familiar with the liquify
feature, but this version includes a new feature.notice this icon here, that is the face tool, and what happens is that photoshop detectsany faces found in your image. you can disable it by clicking on any other tool, and youcan re-enable it again by clicking on this icon or pressing a on the keyboard. notice that as i hover over the image, i getthese displays over the face. so photoshop knows that this is the face and we can makesome adjustments. and before we move forward, let's take a look at the right hand side ofthe panel. first of all, notice that it looks a little bit different than older versions,but we have this option here called face aware liquify. and we have some of the facial featureshere that we can adjust.
we can adjust them by either clicking anddragging on the handles here, so notice how her eyes are getting bigger and smaller ifi click and drag up. i can also adjust her jaw, her lips—this is actually the bottomlip, or the upper lip. i can actually give her a smile or not. and i can make any typeof adjustments just by clicking and dragging on these handles. also, i want you to notice that if i hoverover an area and you get that four-sided arrow, you can click and drag and move that facialfeature, in this case, the eye. we can do the same thing with the nose, and we can dothe same thing with the mouth. now if you want to make more refined adjustments, comeinto these sliders here on the right, and
you can adjust each of these specific areas.so if you want to adjust the eyes, you can just click and drag this slider to the leftor the right, and just make any adjustments that you need. i'm not going to click anddrag on all the sliders just because they're very self-explanatory, so you can just comein and play around with them, but i just want you to see the power of this filter. also, one thing i want to mention is thatyou can come in here and use any of the old liquify tool. for example, i'm going to clickon the warp tool and i'm going to increase the size of my brush by tapping on the rightbracket key on my keyboard, and just make some distortions to her face. now she lookslike an alien.
notice that even after making these adjustments,i can press a on the keyboard to go back into the face aware liquify tool and i can continuemaking adjustments to her eyes, and the distortions from the warp tool that not disrupt the faceaware feature. so, for now, i'm going to press cancel and i'm going to open up another image.it's this selfie here, and i'm going to do the same thing. i'm going to go into filter,liquify, and notice what happens now. photoshop automatically detects the faces of everybodyin this scene. i can click on select face and we have the numbers one through five.so the way photoshop aligns them is from left to right. so this is face 1, face 2, face3, face 4, and face 5. so, for example, we want to select this girlhere in the middle, that is face number 4,
and we're going to adjust her forehead ormake any other adjustments that we like. now, obviously, in these examples, i'm going alittle extreme. i'm clicking and dragging these sliders to the far end just so thatthe adjustments are noticeable, but, obviously, when you're working on a portrait or a groupshot like this, the adjustments that you make are going to be very subtle, so keep thatin mind, unless, of course, you're trying to create a caricature or something like that. i also want to point out that the face awarefeature does not work with profile shots and with some semi-profile shots you may get someissues. also, if the face is tilted beyond 30 degrees, you will need to rotate the photoso that you can apply this effect. so, for
example, this girl here in the center, ifher head were tilted just a little bit more to the right, the facial features will notbe recognized. once you press ok, the changes are going to be made into your image. obviously, we're working on a regular layer.we are working destructively. luckily for us, this feature also works with smart objects,where i can convert this into a smart object, go into filter, liquify, and make any otheradjustments that i like. this time i'm adjusting face number one, which is this guy. so anyadjustments that i make, i can press ok, and they will be made non-destructively. also,i want you to notice one thing that happened here. when i adjusted this person's face,the liquify tool created some transparent
pixels. so, if this was an adjustment thati actually wanted to make, i would have to come back in here and either fill that inwith content aware or maybe just crop it out. another thing that you can do with the faceaware liquify is apply that filter to video. so i have a video here that we're going touse, but before we get started, i'm going to open up the timeline panel and i'm goingto click on create video timeline. so we're going to place our video here, then i go intofile, place link, and i have an mp4, a video file here. and this is just me talking andmoving my head around, so you can see how this effect is going to work. it's a veryshort video, roughly 5 seconds, and applying this filter to a video works just like applyingit to images. so now that we have the liquify
face video layer here—you'll see it herein the timeline—and i'm actually going to delete the original layer, just so we onlyhave one layer to worry about and it's a little less confusing. so, with this layer selected, i'm going togo into filter, liquify, and photoshop immediately is going to recognize the face in the videoand we can make adjustments just as we did with the images. so i'm just going to makea few quick adjustments, something like that, and press ok. i can then click on the playbutton, and it's going to be a little choppy just because the video is not rendered, butas you can see, the effect was applied. i'm going to click and drag on this to zoomin into the video layer, and i'm just going
to scroll through the video, and you can seehow those adjustments are applied. i can come in here into the layers panel and disablethe effect. so this is what it looks without it. and i can just enable the effect againand you'll see how the effect is applied even though i'm moving around and talking. if you want to render out the video, justclick on the fly out menu here and select render video. you can name it and then youcan click on select folder to decide where to save it. and then the full settings withh.264 should work and then click on render. here's the before and after of the face awareliquify filter applied to the video. content aware crop
the content aware crop. the first thing thati'm going to do in this example is i'm going to click on the crop tool and in the past,what we usually did is click on the straighten tool and we would click and draw a line alonga straight area of the image, and photoshop would crop that into a much smaller area.this is because a crop always wanted to keep active pixels. it wouldn't give us anythinglike this with transparent pixels. so when we would create the crop, we wouldget a very tight result and we would lose a lot of information. then you come to theaware feature found on the options bar allows us to make that same adjustment, but photoshopfills in with content aware on these areas that are going to be left with transparentpixels. so i'm going to click on this check
box to commit the changes, and photoshop isgoing to go ahead and fill in those pixels. and you can sort of see the selections hereon the top, the bottom, and on the sides. and there you go, photoshop fill in the pixelsup here and on the other corners. the content aware feature with the crop toolis also good if you want to expand in the sky. so, if we had this image here and wewanted more sky, we can simply click and drag up, commit the changes. this time i'm justgoing to hit the enter key on the keyboard and photoshop is going to go in and fill inthe transparent pixels on this image with the sky. we could also do the same thing withthe water. i can click and drag this down, in case we wanted more water, commit the changesand the same thing is going to happen. photoshop
is going to fill in those pixels and we'regoing to have more water. now, even though this is a great tool and it works great forskies, for water, grass, and things like that, it's going to be not as precise when we'redealing with buildings or things with more detail. so if i click and drag this to the left hereto fill this area in, we are going to get some issues. so, just keep that in mind whenyou're working with your images. as you can see there, it's not a perfect fill. but it'sstill a great feature to utilize because you will get to use more of your image than ifyou would have otherwise. match font
the match font feature. so we have this pixellayer here. it's a bit map image. this is not a vector or a text layer as you can see;just one single pixel layer. and what the match font feature allows you to do is createa selection around a piece of text. photoshop looks at that text and it gives you resultsthat are very similar to the typeface found within the selection. so the results are fontsthat are either installed in your machine or fonts that you can download from type kit. so now that i have the word welcome selected,i'm going to go into type and select match font. this window is going to populate withfonts that are similar to the ones we've selected. the fonts on top of the list are fonts thatare installed in my computer and the fonts
here on the bottom are fonts that are availableto download from type kit. so these are the closest fonts found that resemble the textunder welcome. so some of these are pretty close; some more than others, of course. i'mgoing to just press ok. and now i'm going to select the text here"the wine." so i'm going to go and just select the lasso tool, make a selection around thattext. then i'm going to go into type, match font, and again, photoshop is going to populatea list—the fonts that matches closest to what i've selected. and notice that theseare scripts similar to what we have here. so if you find the font that you want to use,so maybe you want to use this brush script font here, we can just select it, press ok.if we click on the type tool, you'll notice
that that font is now selected. so i can deselectthis here, ctrl d, command d, to deselect and i can just click on my canvas and justtype the word photoshop, for example. just keep in mind that whenever you're using thisfeature, the font that's on the image may not be available on your machine or on typekitand you're just going to get the closest approximation. alternate glyphs we're going to be working with this file here.we have this background group and we have this text layer. the text layer reads "thequick brown fox jumps over the lazy dog," and that's a pangram, a sentence that containsevery letter in the alphabet. and this is going to help us see what the new featurein photoshop is with the glyphs panel. so
the last version of photoshop introduced usto the glyphs panel, which is this panel here, and as you can see, this is a typeface thatwe're using and all the glyphs that we can use. the new feature allows us to select a specificglyph and see if there's an alternate and swap it. let me show you the slow way of doingthat. so i'm going to select my glyph, that letter "g," then i'm going to go into theglyphs panel and i'm going to click on this drop down and select alternates for selection.and this is going to show me all the alternate glyphs for this character in this typeface.and as you can see, we currently have selected the letter "g" which is a two-storey "g" anopen tailed "g" and we want a single storey,
a loop tailed "g" which is this one here,so we can swap that out. now, as you just saw, although that was quick, it took a coupleof clicks to get there. the new feature allows us to simply selectany character, and then, if the character has this block, the shaded block underneathit, you can hover over it and see the alternate glyphs for this character. in this case, we'veselected a double storey "a" but we can swap it into a single storey "a" and we can actuallyselect any other letter and see if there's an alternate right under it. sometimes, the alternate is not as good, soyou don't have to make a change if you don't want to. and also keep in mind that not allfonts have alternate glyphs that you can use.
for example, if we select the font that youprobably know, like arial, you'll notice that if i hover over any one of these characters,i won't get the shaded block underneath, so i don't have any alternate glyphs. and ifi go back into the glyphs panel and refresh the list by reselecting alternate for selection,you'll see that there's nothing there. usually, fonts that have the word "pro" in the namewill give you an alternate glyph. so for example, this one called chaparral pro bold, i canhover over the letter "k" here and see an alternate "k." so you can select the glyphthat best works for the design that you're going for. also, there's this right pointing arrow andif you click on it, it opens up the glyphs
panel here on the right, but you don't reallyneed it. you can just hover over this block and select the glyph that you want to use. the select and masking workspace this workspace replaces a previous refineedge and refine mask dialogue boxes in photoshop. and it allows us to visualize and select contentin a new way. but before we get started with that, i want to show you the layers that we'regoing to be working with. we have this forest here, the background,and this foreground, this bear. so we're going to mask out the bear and place him in theforest. so to access this new select and mask workspace, you can click on any selectiontool like the marquee tool, and then, click
on select and mask. and you'll notice thatthe tools bar now has only a few tools and the properties panel on the right has somemasking options for you to use. notice the select and mask here under the workspace. before we go any further, i want to presscancel and i want to show you an easier way to access this workspace. so instead of clickingon the selection tool and clicking on this button, just remember the keyboard shortcutctrl alt r, that's command option r on the mac, and it brings you directly into thisworkspace without having to click on any selection tools. and the first thing we'll talk aboutis how you can use the tools that are found in this tool bar to make a selection. firstof all, we have the quick selection tool,
which you can get to by clicking on it orpressing the w key on the keyboard and you can just click and drag to start making aselection. notice that the image is currently set tothe onion skinning mode where you only have a transparency of 20%. that means that theselected items are going to be shown at 100% and the deselected items are going to be shownat 20%. so we have the head partially selected, which is why it looks opaque and the restof the image is at 20% opacity. and if we increase the transparency to 100%, noticethat the rest of the image disappears. so this slider allows you to adjust the transparencyso that you can make better selections. so, in general, what you want to do is use thequick selection tool to select the main areas
of your image, then toggle between the brushtool and the lasso tool to make corrections, and more refined selections to specific areas. so we have the lasso tool here and the brushtool here. we're going to talk about the refine edge tool a little later on. so let's focusfirst on the brush tool. this works just like the regular brush tool. if you click and drag,you'll paint, essentially, with the white. if you think of this as a mask, this is justlike painting with white. you have the same keyboard shortcuts, left bracket to decreasethe size, right bracket key on the keyboard to increase the size of that brush. you can click on this down pointing arrowhere and adjust the size, hardness, or spacing,
or you can just simply right click anywhereon your image, and that same display comes up, so we can adjust the hardness all theway to 100% and you can see the hard edge there. you can also click on the lasso tool,click and drag and make a selection, and it fills in those areas. if we drag the transparencyup to 100, now these are the selected areas. i usually like keeping my transparency around20%. so now i'm going to press the w key to goback into the quick selection tool and i'm just going to increase the brush size by tappingon the right bracket key in the keyboard, increasing the size, and continue selectingthe bear. notice that i accidentally selected the rocks where he's standing. i can eitherclick on the minus option here, or better
yet, hold alt, option on the mac, and deselectthe areas that i don't like. and i can release the alt key and continue selecting the areasthat i do want to keep. at this point, i can bring the transparencyall the way up to 100%, just so i could see how my selection is looking. if i need a differentview, i can click on this down pointing arrow and select marching ants overlay, which isactually very similar to the quick mask mode on black. right now, the background is notreally showing black because the opacity is set to 50%, but i can increase that up to100%, or bring that down if i want to. but if i want to use on black, i probably wouldwant it at 100%. on white is a similar effect but, obviously, with a white background insteadof black; black and white, which is essentially
the mask mode, and on layers right now, we'renot going to see anything on the background because the background layer is disabled. so i'm going to go back into the onion skinmode and i'm going to bring the transparency down just a little bit, maybe not all theway till 20% this time, maybe less now, since i've already selected the major points ofmy bear. and i just realized that i'm missing a spot here, so i'm going to press z on thekeyboard, i'm going to zoom in, and i'm going to press w for the quick selection tool. i'mgoing to tap on the left bracket key on the keyboard, hold alt, option on the mac, tosubtract from that selection. i'm going to press z again, then hold alt, option on themac and zoom out.
now that i've selected the main areas of myimage, i'm going to use the edge detection tool to remove the background and portionsof the image that requires additional refinement, such as the fur around the bear. so i'm goingto click on the refine edge brush, then i'm just going to click and drag around the edgeof the bear to deselect the background around the fur, and notice i'm going fairly quicklyhere. what i'm going to do now is bring the transparencyback to 100 so we can see what we got. and i'm, actually, going to use the black andwhite because i really want to see what the mask is looking like. at this point, i canjust click on the brush tool, and i'm just going to paint using the plus sign there,which is essentially the white. the brush
is a little hard so i'm just going to rightclick and bring the hardness down, and continue painting on the areas that i know that i'mgoing to want to keep. then i'm going to hold alt and just removethe areas that i know i don't want to keep. i'm going to zoom in and continue removingthese areas. i'm still holding alt to remove. i'm going to fit everything to screen justso we can see what we got. and just as a side note, if you're using the paintbrush and insteadof using the add to selection, you're using subtract from selection, if you want to goback into the add to selection, you can hold shift and it adds. so if you want to subtractto selection and you hold alt, nothing will happen. so hold shift to add to a selection.but i usually like staying on the add to selection,
and then, hold alt to subtract. so now that we've refined the selection, iwant to go into the on white view. i want to use some global refinements. so, in somecases, you may want to smooth your selection. in this case, i don't think it's necessary,so i'm just going to leave it at zero. you can feather it, contrast, or shift the edge.i want to shift the edge and i want to do negative values just to remove that outlinethat we had around the bear. and, actually, now that the bear is active,i'm noticing that i'm missing a little piece here, so i'm just going to click on the brushtool and just add to the selection in this area here. you can also press x on the keyboardto disable the views, but notice what happened
here. i started type in x, so in a way i'mkind of glad that happened, and i'm just going to get out of that and photoshop is goingto tell me that's an invalid value, and that's true, it is. but if i just press enter onthe keyboard, i'm going to exit out of that, and if i press x this time, i get to see theoriginal. so i can just toggle between the original and the masked area, just to seeif i'm missing a piece. i'm missing a piece here actually, so i'm just going to paintthat back in. and i'm missing another piece here. okay and the bear is looking prettygood. before we press ok, i just want to mention that these controls here are very similarto what the refine edge and refine mask used to be, so we have the edge detection herewith the smart radius. we have the same sliders.
we have the output settings as well and, also,the decontaminate colors. and all these options are essentially thesame as to what you had with the refine edge. there's also a lot of reset button here, incase you need it, and a sample all layers checkbox here, in case the object you're tryingto select is made up of different layers or something like that. so i'm going to uncheckthis for now and i'm going to press ok. photoshop then creates a mask. if i need to go back,i can click on the layer mask, and then, click on select and mask here on the propertiespanel or you can press ctrl alt r, command option r, and you're back. all right, now that i made this mask, i canenable the forest. i can click on the layer,
press v on the keyboard, move my bear andplace him accordingly, right about here, and maybe scale him down a little bit, so i'mgoing to click on the pivot point, drag it down to his foot. that's where i want himstanding, hold alt shift, option shift on the mac, and scale in proportion by clickingand dragging on that corner handle. position him again and press enter. and what i'm goingto do now is i'm going to zoom in so you could see the edge. notice what good of a job thisfeature did masking out the fur on this bear, as you can see in this area. so it looks fairlyconvincing. if you notice any mistakes like i'm seeing here, you can just paint with whiteon the mask. you don't have to go back into the refine and mask workspace, so i'm justgoing to paint with white here to fill that
part in. now, if i wasn't explaining what all thosefeatures were, and how all the tools work, then i probably would have completed thisproject in half the time. i was a big fan of the refine edge and refine mask, but iactually like the select and mask a lot more. it's more useful. the algorithm for makingselections is better. and once again, i'm going to zoom in and you can see the goodjob that did here on the fur around the bear. and that's pretty much it. let me know whatyou think about the new features by leaving a comment below. if you enjoyed this video,don't forget to share it with a friend and click on that like button. also, if you haven'talready, subscribe to the photoshop training
channel now. thank you for watching and i'lltalk to you again soon.
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